![]() ![]() “I just didn’t know what the angle was,” she says. The title, scrawled in her iPhone’s notes app, would not leave her be. The title cut, co-written with King Henry (Charli XCX, Sofia Carson) and Shane McAnally (Sam Hunt, Kacey Musgraves), gnawed at her brain for the longest time. She pulled out a whiteboard and began jotting down her favorite songs, compiling somewhere between 40 and 50 for the record. Sasha Sloan dug her claws into the record, tentatively called Who’s Cutting Onions? at one point, a moniker abruptly vetoed by her team, in November last year. He writes pop songs, but they’re not your normal pop songs.” But she does often cling to particular songs like her life depends on it.ĭuring the creation of Only Child, her long-awaited debut, out October 16, she became obsessed with “Between Me and You,” a track off Brandon Flowers’ 2015 record, The Desired Effect. “I’m not really the type who will listen to a song and be like, ‘OK, let’s create something that sounds like this.’ I never have any success with that,” she tells American Songwriter. Over a phone call earlier this week, the songwriter (born Alexandra Artourovna Yatchenko) spoke candidly about her process for the record, opting to exchange typical color palettes and textures for the surprising. “I decided to make that the theme, instead of it all sounding similar.” “When I do listen to a Regina Spektor record, every song is different from the others, but the constant is her vocals and who she is as an artist,” she says, noting the playlist also includes Coldplay, Eva Cassidy, and Macy Gray. Such eclectic taste freed the prolific pop writer, known for cuts with Katy Perry, Maggie Lindemann, and Camilla Cabello, from her usual expressive avenues, breaking the shackles of fear that had unsuspectingly tightened around her. If you were to peep Sasha Sloan’s Only Child inspiration playlist, you’d find songs by everyone from Robyn, Jewel, and Regina Spektor to The Killers, P!nk, and One Direction. ![]()
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